Warren Beatty

Understanding Web Advertising

More money is wasted on advertising then any other business function. That is not to say businesses shouldn’t advertise but rather people should understand how advertising works. There are many ways to characterize ads but for our purposes let’s make it simple and separate advertising into two distinct approaches: saturation and emotional.

One of the things I’ve learned over a long career is that business folk invariably take their lead from the wrong sources. Small and medium size businesses look to the mega corporations to learn their tricks and adopt their attitudes when they have little in common – advertising being no exception. Since our clients are mostly medium or small size companies we try to help put some of these issues into perspective.

If you’re big enough and have the money available there are all kinds of marketing initiatives you can invest in, but if you have a limited marketing budget you need to be smart about how and on what you spend your advertising dollars. And the most effective and cost efficient place to spend those dollars is on your website. Yes you need to attract people to your site but if once they arrive they find it lacks intriguing, engaging content then you’ve wasted your money. So what tactical approach should you take to deliver your marketing message?

Saturation Advertising

The first approach is saturation advertising like you see on television. Anyone who has spent an evening sitting in front of the TV set is familiar with what I am talking about: the constant repetition of the same commercials over and over until the ads become an unwelcome irritation. The fact is no matter what you do to avoid commercials they eventually seep into your head. Even fast forwarding through commercials on a recorded program has an effect. Saturation advertising depends on repetition not quality, which is why some of the worst and/or stupidest commercials can still be effective.

There are some great commercials on television that do engage the audience with an entertaining, memorable, marketing message that enhances the brand and generates leads, but when push comes to shove, television advertising is all about repetition not quality.

Does Saturation Advertising Work?

Does saturation advertising work? The short answer is yes it does, at least for a television audience it does. Most people believe that it works on others but not on them, a phenomenon, psychologists call the Third Party Effect. The fact is, repeating something automatically makes it appear more believable.

The majority of people will respond that they don’t pay attention to commercials, but inattention does not protect you from the influence of repeated messaging. In fact bad commercials work better if the audience isn’t really paying attention, and fail when the audience is actually listening carefully. Careful attention brings to light all a message’s conceptual, technical and performance issues.

Will Saturation Advertising Work For You?

But saturation advertising is expensive because it relies on huge media buys in order to get the required number of repetitions needed to worm its way into an audience’s collective consciousness. It’s a messaging tactic that depends on deep pockets and that rules it out for most companies. Advertising that depends on constant repetition just won’t work on the Web unless it’s merely to supplement an existing extensive integrated television and print campaign.

Just as an aside, the music industry uses the same tactic. The constant repetition of a song even of inferior quality but with minimum rhythmic value and a repetitive catchy chorus can become a hit if heard often enough on the radio or on television in a music video. And like most saturation advertising it’s controlled by whoever has the most money available to purchase audience access. The same holds true for political advertising. Politicians can get away with the most incredible nonsense if they raised enough money to drown-out their opposition.

The Web is a different communication environment compared to television. Where television and the Web converge is with programming: your website is not an advertisement, or at least it shouldn’t be if you want it to be effective; your website is the equivalent of the program not the commercial, and that is why the key to success is the ability to turn advertising into content, and content into a memorable experience. You need to engage your audience with the same kind of techniques and messaging that is used in the programs you watch and not in the commercials you try to ignore.

If You Don’t Establish Your Brand, You Won’t Have a Meaningful, Memorable Message

If you can’t saturate the market with your brand then you have to find a better, more cost effective way to influence your audience. I use the word brand instead of product or service because that is where you have to start – you have to think ‘brand’ not product/service. What we’re talking about here is advertising intended to promote and grow your company within the context of a long term marketing strategy rather than a promotional ad intended to let your audience know about a particular sale or promotional event. Companies that stick exclusively to a promotional format are basically teaching their customers to only purchase goods and services when there’s a sale, and that’s a tough way to make money on a long-term basis.

We all know how popular the Google AdWords program is and we all know how expensive it can get in order to gain access to the keywords that trigger your ad placement. The Google system is basically relying on the same principle as television advertising: big audiences and lots of placements equals lots of leads.

The problem in addition to the continual expense is that even if you attract a large initial audience, that audience will not stick around long enough to get your brand story if that story is not at least as interesting and entertaining as the television programs they watch. And even if that audience manages to stick around a while, if your site isn’t interesting enough, they will never come back and that reduces your chances of being remembered. Unlike television where the audience is captive to the commercials, a Web audience is not. Unlike television where the experience is generally a compromised group decision, Web viewing is not.

For most Web-based businesses their website is their best and potentially most effective advertising venue, but people only go to websites that interest them, and they will leave in an instant if a website doesn’t engage, inform, and entertain them.

Emotional Advertising

“People forget what you say, but they remember how you made them feel.”

-       Warren Beatty

Everyone likes to think of him or herself as a rational, intelligent human being, but in truth, we are all motivated by the same hardwired emotional triggers. Our brains are marvelous, malleable organs that absorb information without us even knowing it; they process information, massage it, and produce instinctive responses to external stimuli. Our survival and dominance as a species depends on this ability. Our brains are not cameras that just record input; they are interpretive instruments that produce gut-instinct. As a consequence, successful long-term marketing strategies depend on an emotional brand association with basic Maslowian needs.

No matter who you are or what you do your competitors will undercut your price, add new and better features, or come up with superior alternative solutions. The business world is littered with the corpses of once proud companies that owned their market until someone came along with something better, or cheaper, or just different. No one wants a Polaroid camera when digital cameras are all the rage. Once proud Kodak has been humbled and downsized considerably because they saw themselves as a film company and cameras as merely a way to sell more film rather than tools of human creativity. Products and services come and go, but brands Are Forever, and brands are defined by their emotional appeal.

Coming up with the right brand message can be tricky. We know the motivational triggers that people respond to, so the objective is to find the right trigger for your company’s strategic vision and to frame it in terms that your target audience will accept. Knowing that your audience sees itself as rationally motivated is not an impediment to emotional motivational triggering. It is all a matter of framing the brand and providing the right context and subtext in your advertising and messaging initiatives, and most importantly on your website.

A Final Word

A company without emotional subtext is a company without soul, and it’s one that will eventually be superseded by those who understand the importance of brand and how emotional advertising works.

 

About the Author

Jerry Bader is Senior Partner at MRPwebmedia, a Thornhill, Ontario based website design firm that specializes in delivering their North American, Australian, and British clients’ marketing messages using the latest audio, video, and interactive Flash presentation techniques to create compelling, informative and memorable Web-experiences that enhance brand personality and increase sales and profits. Visit http://www.mrpwebmedia.com, http://www.136words.com http://www.sonicpersonality.com. Contact at info@mrpwebmedia.com or telephone (905) 764-1246.

Warren Beatty ‪winning Best Director for “Reds”


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From one of the most famous and influential acting teachers of her time, of all time–whose generations of students include Marlon Brando, Robert De Niro, Al Pacino, Warren Beatty, Meryl Streep, Jerome Robbins, Annette Bening, Peter Bogdanovich, Sydney…

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Warren Beatty: A Private Man


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"Whatever you have read or heard about me through articles or gossip, forget it. I am nothing like that Warren Beatty. I am nothing like what you have read." Warren Beatty Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass . When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now. Through years of groundbreaking research, lauded biographer Suzanne Finstad gained unprecedented access to Beatty’s family, close friends, and film colleagues, including such luminaries in the arts and politics as Jane Fonda, Goldie Hawn, Leslie Caron, Robert Towne, Mike Nichols, and Senators John McCain, George McGovern, and Gary Hart. Weaving hundreds of these candid interviews, photographs from private albums, personal letters, diaries, and the previously unpublished papers of the late Natalie Wood and mentors such as directors Elia Kazan and George Stevens, playwrights Clifford Odets and William Inge, and agent Charles Feldman, Warren Beatty unveils the real Beatty a complex, sensitive visionary torn between the "fairly puritanical, football-playing boy" from Virginia and his Hollywood playboy image. Finstad paints a rich, fascinating portrait of the secretive film legend, taking us back to the "unrealized genius" parents who molded arguably the most famous brother and sister in Hollywood history, tracing the family influences and events in Beatty’s past that directly inspired McCabe & Mrs. Miller , Shampoo , Heaven Can Wait , Reds , Ishtar , Dick Tracy , Bugsy , Love Affair , and Bulworth , and led to his political activism, culminating in a near-bid for the White House. Finstad constructs the definitive, myth-shattering account of Beatty’s evolution from Hollywood’s enfant terrible to producer of the revolutionary Bonnie and Clyde , launching him as the premier actor/director/writer/producer of his generation, the only person to twice earn Oscar nominations in all five major categories. Here also is the truth about Beatty the lover, setting the record straight on his storied relationships with such iconic actresses and beauties as Jane Fonda, Joan Collins, Natalie Wood, Leslie Caron, Julie Christie, Goldie Hawn, Michelle Phillips, Diane Keaton, Isabelle Adjani, and Madonna. Finstad’s astute insights illuminate Beatty’s private struggle to attain happiness, his complicated bond with his sister, Shirley, and the deeper reasons why, at fifty-four, the archetypal bachelor married actress Annette Bening. Stunningly researched, engrossing, and exquisitely detailed, Warren Beatty: A Private Man gives us a new understanding of the enigmatic, fiercely intelligent star who embodies the American dream. From the Hardcover edition.

Actress Shirley Maclaine and Brother, Actor Warren Beatty


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In this compulsively readable and constantly surprising book, Peter Biskind, the author of the film classics Easy Riders, Raging Bulls and Down and Dirty Pictures, writes the most intimate, revealing, and balanced biography ever of Hollywood legend Warren Beatty. Famously a playboy, Beatty has also been one of the most ambitious and successful stars in Hollywood. Several Beatty films have passed the test of time, from Bonnie and Clyde (which confirmed for him the importance of controlling the projects he was involved in) to Shampoo, Heaven Can Wait, Reds (for which he won the best director Oscar), Bugsy, and Bulworth. Few filmgoers realize that along with Orson Welles, Beatty is the only person ever nominated for four Academy Awards for a single film — and unlike Welles, Beatty did it twice, with Heaven Can Wait and Reds. Biskind shows how Beatty used star power, commercial success, savvy, and charm to bend Hollywood moguls to his will, establishing an unprecedented level of independence while still working within the studio system. Beatty’s private life has been the subject of gossip for decades, and Star confirms his status as Hollywood’s leading man in the bedroom, describing his affairs with Joan Collins, Natalie Wood, Leslie Caron, Julie Christie, Michelle Phillips, Diane Keaton, and Madonna, among many others. Throughout his career, Beatty has demonstrated a fascination for politics. He was influential in the 1984 and 1988 presidential campaigns of Gary Hart. It was said of Hart and Beatty that each wanted to be the other, and Biskind shows that there was considerable truth in that wry observation. As recently as a few years ago, Beatty was speaking out about California politics and contemplating a run for governor. Biskind explains how Beatty exercised unique control, often hiring screenwriters out of his own pocket (and frequently collaborating with them), producing, directing, and acting in his own films, becoming an auteu r before anyone in Hollywood knew what the word meant. He was arguably one of the most successful and creative figures in Hollywood during the second half of the twentieth century, and in this fascinating biography, Warren Beatty comes to life — complete with excesses and achievements — as never before.

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In this compulsively readable and constantly surprising book Peter Biskind the author of the film classics Easy Riders Raging Bulls and Down and Dirty Pictures writes the most intimate revealing and balanced biography ever of Hollywood legend Warren Beatty. Famously a playboy Beatty has also been one of the most ambitious and successful stars in Hollywood. Several Beatty films have passed the test of time from Bonnie and Clyde to Shampoo Heaven Can Wait Reds (for which he won the best director Oscar) Bugsy and Bulworth. Few filmgoers realize that along with Orson Welles Beatty is the only person ever nominated for four Academy Awards for a single film — and unlike Welles Beatty did it twice. Biskind shows how Beatty used star power commercial success savvy and charm to bend Hollywood moguls to his will. Beatty’s private life has been the subject of gossip for decades and Star confirms his status as Hollywood’s leading man in the bedroom describing his affairs with Joan Collins Natalie Wood Leslie Caron and Madonna among many others. Biskind explains how Beatty exercised unique control often hiring screenwriters out of his own pocket producing directing and acting in his own films. He was arguably one of the most successful and creative figures in Hollywood during the second half of the twentieth century and in this fascinating biography Warren Beatty comes to life — complete with excesses and achievements — as never before.

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No Synopsis Available

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I don't know what people expect when they meet me. They seem to be afraid that I'm going to piss in the potted palm and slap them on the ass."Marlon Brando"I should have been dead ten times over. I believe in miracles. It's an absolute miracle that I'm still around."Dennis Hopper"You only lie to two people in your life: your girlfriend and the police."Jack Nicholson"The best time to get married is noon. That way if things don't work out you haven't blown the whole day."Warren BeattyThey're the baddest bad-asses Hollywood has ever seen: Marlon Brando Dennis Hopper Warren Beatty and Jack Nicholson. They are men to whom rules did not apply; normal standards of behavior were simply too wearisome to worry about. These are men who brawled boozed snorted and screwed their way into legend-hoodbut along the way they changed acting and the way movies were made forever. Hollywood Hellraisers is a whistle-stop tour of jaw-dropping sexual activity misbehavior of an Olympic standard all-out excess and genuine madness. It's a wonder Hollywood survived.

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<p>’I don’t know what people expect when they meet me. They seem to be afraid that I’m going to piss in the potted palm and slap them on the ass.’ <b>Marlon Brando</b></p><p> ‘I should have been dead ten times over. I believe in miracles. It’s an absolute miracle that I’m still around.’ <b>Dennis Hopper</b></p><p> ‘The best time to get married is noon. That way, if things don’t work out, you haven’t blown the whole day.’ <b>Warren Beatty</b></p><p> ‘You only lie to two people in your life: your girlfriend and the police.’ <b>Jack Nicholson</b></p><p> </p><p> They’re the baddest bad asses Hollywood has ever seen: Marlon Brando, Dennis Hopper, Warren Beatty and Jack Nicholson. These are men for whom rules did not apply, men for whom normal standards of behaviour were simply too wearisome to worry about. These are men who brawled, boozed, snorted and shagged their way into legend-hood – but along the way they changed acting and the way movies were made forever.</p><p> </p><p> <i>Hollywood Hellraisers i</i>s a whistle-stop tour of jaw-dropping sexual activity, misbehaviour of an Olympic standard, all-out excess and genuine madness. It’s a wonder Hollywood survived.</p>

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